For more information,
please e-mail me at:

Solo Exhibitions

2009

Seasonal Fall, Soapbox Gallery, a window installation and exhibition, Brooklyn, NY

2008

Leaf Circle Line, The Lifebridge Foundation and Sanctuary, a solo exhibition presented at the Foundation in High Falls, NY

 

Leaf & Circle, Prospect Park Audubon Center at the Boat House in Brooklyn, Prospect Park, Brooklyn, NY

2003

Art for Charity at Fleet Bank, corporate sponsored charitable exhibition, 42nd St. branch, NYC

 

A Different Perspective a presentation and solo exhibition, Klondike Gold Rush National Historical Park, Skagway, Alaska

2002

Evolution, Kavehaz Gallery, Soho, NYC

Selected Exhibitions

2009

The Nature of Being, The Green Hill Center for the Arts, three-person exhibition curated by Flanders Art Gallery (Raleigh, NC) curator Tamar Harris, Greensboro, NC

Ancient Echoes in Contemporary Printmaking, Hofstra University Museum, five-person exhibition of printmakers, Long Island, NY

2008

 

 

 

 

The Nature of Things, The Interchurch Center, a juried exhibition presented by the National Association of Women Artists and curated by Dorothy Cochran, NYC

Risalita 500, The Art Institute and University of Siena, organized and curated by Professor Enrico Crispolti of the University of Siena, one of 500 ceramic tiles created by international artists and installed next to a public escalator outside the walls of Siena, Italy

The 7th Annual International Contemporary Print Show, Galeria Nacional, curated by Rolando Castellon, San Jose, Costa Rica

The 19th National Drawing & Print Exhibition, College of Notre Dame of Maryland, Gormley Gallery, juried by Jed Dodds, Artistic Director, Creative Alliance at the Patterson, Baltimore, MD Investigation the Corporeal, Flanders Art Gallery, curated by Lauren Turner, Raleigh, NC

2007

 

 

 

 

NC 2007 Salad Bar, George Washington Carver Gallery, Magnolia Tree Earth Center, a group exhibition organized and curated by Michele Gambetta, Brooklyn, NY

Monroe Center for the Arts, National Association of Women Artists Annual Member’s Show, Hoboken, NJ

Dardo (“DART”) Gallery, group show, San Jose, Costa Rica

JMS Gallery, summer group show, Philadelphia, PA

Arlington Art Gallery, group show, Poughkeepsie, NY

2006

 

Four Points of View: Figuration in Printmaking, Galeria Nacional, four-person exhibition curated by Rolando Castellon, San Jose, Costa Rica

Washington Art Gallery, concurrent exhibit of Four Points of View: Figuration in Printmaking at Dutchess County Community College, Poughkeepsie, NY

2005

 

Gallery in-the-Field, group show, Brandon, VT

White Space Gallery, living artists rotating exhibition, New Haven, CT

2004

 

Epic Theatre Center Benefit and Silent Auction, Epic Theatre Center, NYC

Equality Now Print Exhibition, Locus Media Gallery, NYC

2003

 

The 2nd Annual International Contemporary Print Show, Galeria Nacional, curated by Rolando Castellon, San Jose, Costa Rica

Retrospective, Kavehaz Gallery, group show, NYC

2002

 

 

Didee Contemporary Art Gallery, four-person show, Siena, Italy

Gowanus Artists, Gallery 718, group show, Brooklyn, NY

Summer Small Works, Limner Gallery, group show, NYC

2001

 

 

 

Kavehaz Gallery, two-person show, NYC

Night of a Thousand Drawings, Artists Space, group show, NYC

Hot Summer Show, YWCA Gallery, group show, Brooklyn, NY

Christmas Show, YWCA Gallery, group show, Brooklyn, NY

2000

Small Work, group show, Red Hook Piers, Brooklyn, NY

Awards

2007

Membership: National Association of Women Artists (NAWA), New York, NY

2006

The Julia and David White Artists’ Colony, Artistic Residency, Ciudad Colon, Costa Rica

2005

Women’s Studio Workshop Etching Fellowship, Rosendale, NY

2003

Klondike Gold Rush National Historic Site Artist-in-Residence, Skagway, Alaska

2002

Weir Farm Trust Artist-in-Residence, Wilton, Connecticut

Selected Institutional Collections

  • Friends & Cancer Foundation (In Marjolein’s Memory)
  • Galeria Nacional, San Jose, Costa Rica
  • Klondike Gold Rush National Historic Park, Skagway, AK
  • Lifebridge Foundation, High Falls, NY
  • Women’s Studio Workshop Print Archive, Rosendale, NY

Education

2005

Center for Book Arts, Letterpress I, NY

2004

Women’s Studio Workshop, “Greener Etching”, Rosendale, NY

1999

Center for Book Arts, Artist Bookbinding I, NY

1998

New York Studio School Figure Drawing Coursework, NY

1998

Phaplu Monastery and Shechen Monastery, Nepal

1989

B.A., University of Rochester

Bibliography

    Genocchio, Benjamin, “Two Shows Feature Works of Africa, and Printmaking”, New York Times, February 13, 2009, (Long Island and the Region section, p. 8) (New York Times Review)

    Levinthal, Beth (Director of the Hofstra University Museum) and Lambert, Olympia (Independent Art Critic and Curator), “Ancient Echoes in Contemporary Printmaking”, introduction and essay for the exhibition catalog, Long Island, New York, 2009, p. 5-9

    Alpin, Beth C., “A Printmaker Finds that Sometimes, The Best Paper Grows on Trees”, Brooklyn Daily Eagle, May 5, 2008, p. 1 (brooklyneagle.com)

    Herships, Sally, “Fall Foliage for a Spring Show”, Weekend America (National Public Radio), article, slide show and radio interview, May 3, 2008 (weekendamerica.publicradio.org)

    Pearson, Bradford, "Printmaking Exhibit Showcases Methods", The Weekly Beat, December 1, 2006, (on-line review)

    Molina, Melvin Bustos, "Cuatro Visiones del Grabado", La Prensa Libre, (published in San Jose, Costa Rica), December 12, 2006, p. 2.

    Molina, Dunia (Director of the Galeria Nacional) and Palumbo, Lynn (Director of the Washington Art Gallery), “Four Points of View: Figuration in Printmaking”, essays for the exhibition catalog, San Jose, Costa Rica and Poughkeepsie, New York, 2006, p. 3-4

    Lerner, Michael, “Is Spirituality Good for Your Health”, illustration for Tikkun Magazine, Vol. 16, No. 4, July/August, 2001, p. 9

    Lichtman, Richard, “Dying in America”, illustration for Tikkun Magazine, Vol. 16, No. 4, July/August, 2001, p. 29

    Primack, Joel & Abrams, Nancy Ellen, “Gravity, the Ultimate Capitalist Principle”, illustration for Tikkun Magazine, Vol. 16, No. 4, September/October, 2001, p. 59